You can find out more about Brute, here, at their website. Decked out in a style that for me seemed to mash-up steampunk, Edward Scissorhands and the French movie ‘Delicatessen’, the interior of Brute certainly promised to give us at least three great cuts. We were indoors for the first set of shots, at an amazing little hair salon, Brute, in Koenji that Alex had found. She’s full of ideas, is a great make-up artist and is awesome fun to be around.Īs well as the workshop, we met up again before the day of the shoot, to talk about the locations, the aesthetic she wanted, to get an idea of how much we could get done in the day and begin to nail down precise flow of everything. We’ve collaborated on a few things in the time she’s been here. She’d reached out to me prior to her first coming to Japan. We got on really well from the start, had a great day and it set the scene for what Alex had planned to launch her new agency.Īlex and I haven’t know each other long but we’d also hit it off from the get-go. To get to know each other a little, I organised a fashion photography workshop at my studio at which Ao came to model. Here’s a little run-down of the whole thing… Setting the sceneĪlexandria had introduced me to Ao just before this shoot. Two fun locations, some new friends, lots of cool photos and a video came out of the day. Towards the end of September, 2017, I spent a day shooting fashion across two locations in Tokyo for my friend Alexandria’s new creative agency startup that she’d partnered for launch with the London based Neon Rose fashion label.
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